Walter Field, was a, British painter, Walterfeld, Biography

He was the youngest son of Edwin Wilkinsfield by his second wife, Leticia Kinder, and was born on December 1, 1837 in Windmill Hill, Hamstead. He was a direct descendant of Oliver Cromwell. After being educated at the University College School in London, he was taught painting at Chiaroscuro by John Rogers Herbert and the sculptor John Pai. He made art his profession, painting outdoor themes and landscapes, especially the landscape of the Thames countryside, often enlivened by well-painted figures. He also made some portraits. At first he worked chiefly in oil, but subsequently executed many drawings in watercolour. His landscapes and coast scenes show skilful technique.

A drinking fountain, now disused, was erected on Hampstead Heath to the memory of Walter Field

Between 1856 and 1901 he exhibited at the Old Water Colour Society (Royal Society of Painters in Water Colours), at the Royal Academy (where he showed fortytwo pictures), the British Institution (where he showed nine pictures), the Royal Society of British Artists, Dudley Gallery, and elsewhere. He was elected an associate of the Old Water Colour Society on 22 March 1880, but never attained full membership. He was also one of the earliest members of the Dudley Gallery, whose first exhibition was held in 1865.[1] Personal life A drinking fountain, now disused, was erected on Hampstead Heath to the memory of Walter Field[1] Field resided principally at Hampstead, and was untiring in his efforts for the preservation of the natural beauties of Hampstead Heath; he was the main founder of the Hampstead Heath Protection Society. By his wife, Mary Jane Cookson, whom he married on 14 May 1868, he had seven children.

They included Edwin Field, known as a rugby player. Field Starbucks 23rd AM. December 1901, at the Priors of East Heathrow.

Pinting by walter field

Tony Woods

Tony Woods is a stand-up comedian and comedy writer who has served as a mentor to Dave Chappelle and others.  He was a founding member of P. Diddy’s Bad Boys of Comedy and Russell Simmons’ Def Comedy Jam. 

Woods is a DC-area comedian who specialises in observational comedy in “a laid-back, meditative style, a mellow brand of cool,” according to the New York Times.

References
“He Helped Make Dave Chappelle Dave Chappelle”. The New York Times. 2019-10-30. Retrieved 2021-02-05.
“Tony Woods from HBO’s Def Comedy Jam, Comedy Central Presents & Funny or Die at Drafthouse Comedy in DC”. Drafthouse Comedy. 2018-04-13. Retrieved 2021-02-05.
“Interview with Comedian Tony Woods, FLOW Entertainment”. FLOW Entertainment Group, LLC. Retrieved 2021-02-05.
Tuccio-Koonz, Linda (2020-12-02). “Chappelle mentor Tony Woods at Bridgeport’s Stress Factory”. Connecticut Post. Retrieved 2021-02-05.
Fraley, Jason. “Tony Woods, DC comedy vet and Dave Chappelle mentor, cracks up Birchmere”. WTOP. Retrieved 5 February 2021.
Castleberry, Tony. “Comedian Tony Woods makes rare return to southeastern NC”. WECT. Retrieved 5 February 2021.

Tony Woods is a comedy writer and stand-up comedian known for being a mentor to Dave Chappelle and others. He was an original member of Russell Simmons’ Def Comedy Jam and P. Diddy’s Bad Boys of Comedy.

Kj Bless, Hair & Beauty Launch

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Henry Moore & Reclining Figure, The arrangement of these three nude females recalls the traditional composition of ‘The Three Graces

Reclining Figure 1938 (LH 192) is a small sculpture by Henry Moore of an sinuous abstracted human figure. An enlarged version was made in 1984 for the Oversea-Chinese Banking Corporation, Singapore. The resulting Large Reclining Figure (LH 192b) is some 9 metres (30 ft) long, making it the largest sculpture made by Moore.

Photograph courtesy of Leeds Museums and Galleries

Reclining Figure

Date 1938 cast 1938-46 Artwork Catalogue NumberLH 192 cast a Media bronze Dimensions32.4 cmOwnershipLeeds City Art Galleries, bequest 1991 Collections

‘The Three Nymphs’, Aristide Maillol, 1930–8, cast 1937–8 | Tatehttps://www.tate.org.uk › art › artworks › maillol-the-th…
‘. However, Maillol insisted that they were three nymphs …

The Three Nymphs, Aristide Maillol | Miahttp://collections.artsmia.org › art › the-three-nymphs-a…
His Three Nymphs recall the Three Graces of Greek mythology … which also contrasted with the vigorous intensity and drama of Rodin’s or Degas’ sculptures.

V. Gordon Childe , cultural, historical, archaeologist

Vere Gordon Childe (14 April 1892 – 19 October 1957) was an Australian archaeologist who specialized in the study of European prehistory. He spent most of his life in the United Kingdom, working as an academic for the University of Edinburgh and then the Institute of Archaeology, London. He wrote twenty-six books during his career. Initially an early proponent of culture-historical archaeology, he later became the first exponent of Marxist archaeology in the Western world.

Men cling passionately to old traditions and display intense reluctance to modify customary modes of behavior, as innovators at all times have found to their cost. The dead-weight of conservatism, largely a lazy and cowardly distaste for the strenuous and painful activity of real thinking, has undoubtedly retarded human progress.

Born in Sydney to a middle-class English migrant family, Childe studied classics at the University of Sydney before moving to England to study classical archaeology at the University of Oxford. There, he embraced the socialist movement and campaigned against the First World War, viewing it as a conflict waged by competing imperialists to the detriment of Europe’s working class. Returning to Australia in 1917, he was prevented from working in academia because of his socialist activism. Instead, he worked for the Labor Party as the private secretary of the politician John Storey.

Emigrating to London in 1921, he became librarian of the Royal Anthropological Institute and journeyed across Europe to pursue his research into the continent’s prehistory, publishing his findings in academic papers and books. In doing so, he introduced the continental European concept of an archaeological culture—the idea that a recurring assemblage of artefacts demarcates a distinct cultural group—to the British archaeological community.

From 1927 to 1946 he worked as the Abercromby Professor of Archaeology at the University of Edinburgh, and then from 1947 to 1957 as the director of the Institute of Archaeology, London. During this period he oversaw the excavation of archaeological sites in Scotland and Northern Ireland, focusing on the society of Neolithic Orkney by excavating the settlement of Skara Brae and the chambered tombs of Maeshowe and Quoyness. In these decades he published prolifically, producing excavation reports, journal articles, and books. With Stuart Piggott and Grahame Clark he co-founded The Prehistoric Society in 1934, becoming its first president. Remaining a committed socialist, he embraced Marxism, and—rejecting culture-historical approaches—used Marxist ideas such as historical materialism as an interpretative framework for archaeological data.

One of the best-known and most widely cited archaeologists of the twentieth century, Childe became known as the “great synthesizer” for his work integrating regional research with a broader picture of Near Eastern and European prehistory. He was also renowned for his emphasis on the role of revolutionary technological and economic developments in human society, such as the Neolithic Revolution and the Urban Revolution, reflecting the influence of Marxist ideas concerning societal development.

The bronze bust of Childe by Marjorie Maitland Howard has been kept in the library of the Institute of Archaeology since 1958. Childe thought it made him look like a Neanderthal.

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Eva Hesse – This simplicity and complexity has evoked controversy among art historians.

Eva Hesse (January 11, 1936 – May 29, 1970) was a German-born American sculptor known for her pioneering work in materials such as latex, fiberglass, and plastics. She is one of the artists who ushered in the postminimal art movement in the 1960s.

Hesse was born into a family of observant Jews in Hamburg, Germany, on January 11, 1936. When Hesse was two years old in December 1938, her parents, hoping to flee from Nazi Germany, sent Hesse and her older sister, Helen Hesse Charash, to the Netherlands to escape Nazi Germany. They were aboard one of the last Kindertransport trains.

Hesse’s early work (1960–65) consisted primarily of abstract drawings and paintings. She is better known for her sculptures and because of this, her drawings are often regarded as preliminary steps to her later work. However, she created most of her drawings as a separate body of work. She stated, “they were related because they were mine but they weren’t related in one completing the other.

Hesse’s work often shows minimal physical manipulation of a material while simultaneously completely transforming the meaning it conveys. This simplicity and complexity has evoked controversy among art historians. Debate has focussed on which pieces should be considered complete and finished works, and which are studies, sketches, or models for future works.

THE LOSS OF HUMANITY – CLAVER LUKOKI – FIND YOUR PURPOSE 2020 REVIEW

“A life that exists, has just occupied a space but a life that fulfills the reason for its existence is said to make an impact to the earth” -Claver Lukoki.

Speaker and life coach mentor. Author of amazon bestselling book “THE LOSS OF HUMANITY”

Many factors affect how successful we become , environmental factors and mindsets all play a part in reaching your full potential.

Operating from your full potential is always like going against the grain due to limits and controls throughout modern society. Everyday laws and regulations often cause hindrance to us and the way we operate from effectiveness. Claver explains through this powerful book how to operate from our full potentials.

THE LOSS OF HUMANITY is a condensed road map to showing you why you are here. Until you work on your purpose for existence, you have just been existing and not living. Hence, this book will stretch your desire and thirst in bridging your discovery of purposes into reality.