Category: ARTS & CRAFT

“Malcolm X Tribute: A Revolutionary Voice on Black People’s Impatience and Uplifting the Black Man,

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Malcolm X: A Revolutionary Voice on Black People’s Impatience and the NAACP’s Role in Uplifting the Black Man

Introduction: Malcolm X, a prominent civil rights leader and influential figure in American history, played a crucial role in the fight for equality and justice for Black Americans during the mid-20th century. Known for his powerful speeches and unwavering commitment to uplifting the Black community, Malcolm X addressed the impatience felt by Black people and questioned the efficacy of organizations like the NAACP in achieving true liberation. In this blog, we explore Malcolm X’s message regarding Black people’s impatience and his perspective on the NAACP’s role in the upliftment of the Black man.

Black People’s Impatience: Malcolm X recognized and acknowledged the deep-rooted impatience felt by Black people in the face of systemic racism, oppression, and inequality. He argued that the urgency for change was a natural response to the prolonged history of injustice endured by the Black community. Malcolm X believed that the impatience was not a flaw, but rather a catalyst for mobilization and collective action.

Self-Reliance and Empowerment: In contrast to the approach of established civil rights organizations, Malcolm X emphasized self-reliance and empowerment as the means for Black people to uplift themselves. He advocated for economic self-sufficiency and the creation of independent Black institutions that would foster community growth and development. Malcolm X believed that by taking control of their own destiny, Black people could break free from the cycle of dependence and achieve true liberation.

Critique of the NAACP: While recognizing the efforts of organizations like the NAACP in advocating for civil rights, Malcolm X also voiced his concerns regarding their approach. He criticized what he perceived as a reliance on legal and political means to bring about change, which, according to him, often resulted in slow progress and compromised principles. Malcolm X believed that true liberation required a more radical approach, rooted in self-determination and a rejection of compromise with oppressive systems.

Redefining Black Identity: Malcolm X’s message extended beyond political and social activism; he sought to redefine the Black identity and challenge the negative stereotypes perpetuated by mainstream society. Through his teachings, he encouraged Black people to embrace their heritage, culture, and history as sources of strength and pride. Malcolm X emphasized the importance of self-respect, self-love, and the rejection of internalized racism as essential components of the struggle for Black liberation.

Herbert Hill (January 24, 1924 – August 15, 2004) was a prominent figure in the civil rights movement and an influential labor director for the National Association for the Advancement of Colored People (NAACP) for several decades. Hill dedicated his life to fighting for racial equality and social justice, particularly within the realm of labor rights.

Born in Washington, D.C., Hill developed a keen interest in social justice issues from an early age. He pursued higher education at Howard University, where he earned a bachelor’s degree in economics. His academic pursuits provided him with a solid foundation for his future work in labor advocacy.

Hill’s career with the NAACP began in the 1950s when he joined the organization as an economist. Recognizing the intersectionality of race and labor, he became a powerful advocate for the rights of Black workers. As the labor director of the NAACP, Hill tirelessly fought against workplace discrimination, unequal pay, and unfair labor practices faced by African Americans across various industries.

Hill played a crucial role in advancing civil rights within the labor movement. He advocated for policies and legislation that would protect the rights of minority workers, actively engaging with labor unions and participating in landmark civil rights campaigns. His expertise and dedication helped bridge the gap between the labor movement and the civil rights movement, forging important alliances that brought about significant changes in labor practices and racial equality.

Throughout his tenure at the NAACP, Hill focused on addressing economic disparities and promoting economic empowerment within the Black community. He believed that economic equality was a fundamental aspect of achieving true racial justice and worked diligently to create opportunities for economic advancement for African Americans.

Hill’s work extended beyond the NAACP, as he collaborated with other civil rights leaders and organizations to tackle issues of racial inequality and discrimination. He served as a consultant to various government agencies and lent his expertise to national commissions and committees dedicated to civil rights and labor rights reforms.

Herbert Hill’s contributions to the civil rights movement and his commitment to labor advocacy left a lasting impact on the fight for racial equality in the United States. His efforts helped shape legislation, policies, and public opinion, paving the way for improved working conditions and opportunities for African American workers.

Herbert Hill’s legacy serves as a reminder of the importance of recognizing and addressing the intertwined struggles of racial and labor rights. His dedication to creating a more just and equitable society continues to inspire generations of activists and advocates striving for equality in all aspects of life.

Conclusion: Malcolm X’s powerful message resonated with Black people who felt a sense of urgency for change and sought a more radical approach to achieving true equality. His emphasis on self-reliance, empowerment, and the reclamation of Black identity challenged the status quo and inspired a generation to take action. While questioning the effectiveness of established organizations like the NAACP, Malcolm X’s legacy continues to shape conversations on racial justice, self-determination, and the pursuit of true liberation for the Black community.

Join us in paying homage to the iconic Malcolm X through a powerful tribute brought to you by the extraordinary talent of John Code Z, accompanied by mesmerizing animation by JS4C. Produced by BossesMade, this captivating video celebrates the enduring legacy and impact of Malcolm X’s message.

Experience the electrifying presence of John Code Z as he embodies the spirit and essence of Malcolm X through his thought-provoking lyrics and commanding stage presence. Through his rap artistry, John Code Z pays homage to the indomitable spirit of Malcolm X, spreading awareness and inspiring change.

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Certainly! Here are some recommended sources that provide information about Herbert Hill’s life and work as a labor director and civil rights advocate:

“Black Labor and the American Legal System: Race, Work, and the Law” by Herbert Hill – This book written by Hill himself explores the intersection of race, work, and the law, shedding light on the challenges faced by Black workers and the legal strategies employed to combat discrimination.

“The Black Worker: The Negro and the Labor Movement” edited by Herbert Hill – This collection of essays edited by Hill delves into the experiences and struggles of Black workers in the United States, examining their contributions to the labor movement and their fight for economic and social justice.

“Race and Resistance: Literature and Politics in Asian America” edited by Ronald Takaki and Herbert Hill – This book, co-edited by Hill, examines the political and cultural resistance of Asian Americans in the context of racial inequality and discrimination, shedding light on the broader struggle for racial justice.

NAACP Archives – The archives of the NAACP (National Association for the Advancement of Colored People) may contain valuable documents, speeches, and articles related to Herbert Hill’s work as the organization’s labor director. Accessing these archives can provide deeper insights into his contributions and speeches.

Scholarly Articles – Searching academic databases, such as JSTOR or Google Scholar, using keywords like “Herbert Hill,” “NAACP,” “labor rights,” and “civil rights” can yield scholarly articles and research papers that discuss Hill’s work and may include references to his speeches.

The Power of Perception in Art: Finding Meaning and Beauty in the Eye of the Beholder

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Perception is indeed a subjective experience, and what we see is often shaped by our personal experiences, beliefs, and biases. This is particularly true when it comes to interpreting art, where the meaning and significance of a piece can vary widely depending on the viewer’s perspective.

When looking at a piece of art, we may be drawn to certain colors, shapes, or forms that resonate with us on a deeper level. We may also project our own emotions and experiences onto the work, interpreting it in a way that reflects our own personal reality.

But regardless of how we perceive a piece of art, there is a deeper truth that lies beneath the surface. As the Bible verse states, “Every good gift and every perfect gift is from above, and cometh down from the Father of lights, with whom is no variableness, neither shadow of turning.” In other words, all beauty and creativity ultimately come from a higher power, and there is a divine order and purpose behind everything we see.

So what do I see when I look at this art? However, I can appreciate the beauty and complexity of the artwork, and recognize the skill and creativity that went into its creation.

Ultimately, the meaning and significance of this artwork are up to each individual viewer to decide. But by remembering that all good things come from a higher power, we can approach art (and life in general) with a sense of reverence and appreciation, recognizing that there is a deeper truth and purpose behind everything we experience.

Furthermore, the idea that “perception is your reality” highlights the importance of recognizing the power of our thoughts and beliefs in shaping our experience of the world around us. Our perceptions can influence our emotions, behaviors, and ultimately the reality we create for ourselves.

In the context of art, this means that our perceptions of a piece can have a profound impact on how we relate to it and what meaning we assign to it. For example, one person may see a painting as a beautiful expression of nature, while another may view it as a commentary on the destruction of the environment.

Regardless of how we perceive a piece of art, it is important to approach it with an open mind and a willingness to engage with it on its own terms. This means setting aside our preconceptions and biases and allowing ourselves to be fully present with the work in front of us.

Ultimately, art has the power to connect us to something deeper and more meaningful than our individual perceptions and experiences. By recognizing the divine source of all creativity and beauty, we can approach art with a sense of reverence and appreciation, and open ourselves up to the transformative power of the creative process.

Alfred Waterhouse, word of wisdom, and personal bio

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I think you would have to be generally good-natured in order to succeed when things happen to thwart you.

Alfred Waterhouse

Alfred Waterhouse RA PPRIBA was an English architect, particularly associated with Victorian Gothic Revival architecture, although he designed using other architectural styles as well.

Born: 19 July 1830, Liverpool
Died: 22 August 1905, Yattendon
Education: Grove House School
Grandchildren: Michael Waterhouse, Margaret Bridges, Ursula Margaret Waterhouse, Rachel Howard Waterhouse
Children: Paul Waterhouse, Monica Bridges

To him, it is a building that seems to grow naturally both from its site and the architect’s plan, and one “that is of its period,

He also used faience, once its mass production was possible, on the interiors of his buildings. Such as the Victoria Building, University of Liverpool.

As with the architectural styles he used when designing his buildings, the materials and decoration also show the use of diverse materials. Waterhouse is known for the use of terracotta on the exterior of his buildings, most famously at the Natural History Museum. He also used faience, once its mass production was possible, on the interiors of his buildings. Such as the Victoria Building, University of Liverpool. But he also used brick, often a combination of different colours, or with other materials such as terracotta and stone.

Walter Field, was a, British painter, Walterfeld, Biography

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He was the youngest son of Edwin Wilkinsfield by his second wife, Leticia Kinder, and was born on December 1, 1837 in Windmill Hill, Hamstead. He was a direct descendant of Oliver Cromwell. After being educated at the University College School in London, he was taught painting at Chiaroscuro by John Rogers Herbert and the sculptor John Pai. He made art his profession, painting outdoor themes and landscapes, especially the landscape of the Thames countryside, often enlivened by well-painted figures. He also made some portraits. At first he worked chiefly in oil, but subsequently executed many drawings in watercolour. His landscapes and coast scenes show skilful technique.

A drinking fountain, now disused, was erected on Hampstead Heath to the memory of Walter Field

Between 1856 and 1901 he exhibited at the Old Water Colour Society (Royal Society of Painters in Water Colours), at the Royal Academy (where he showed fortytwo pictures), the British Institution (where he showed nine pictures), the Royal Society of British Artists, Dudley Gallery, and elsewhere. He was elected an associate of the Old Water Colour Society on 22 March 1880, but never attained full membership. He was also one of the earliest members of the Dudley Gallery, whose first exhibition was held in 1865.[1] Personal life A drinking fountain, now disused, was erected on Hampstead Heath to the memory of Walter Field[1] Field resided principally at Hampstead, and was untiring in his efforts for the preservation of the natural beauties of Hampstead Heath; he was the main founder of the Hampstead Heath Protection Society. By his wife, Mary Jane Cookson, whom he married on 14 May 1868, he had seven children.

They included Edwin Field, known as a rugby player. Field Starbucks 23rd AM. December 1901, at the Priors of East Heathrow.

Pinting by walter field

Tony Woods

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Tony Woods is a stand-up comedian and comedy writer who has served as a mentor to Dave Chappelle and others.  He was a founding member of P. Diddy’s Bad Boys of Comedy and Russell Simmons’ Def Comedy Jam. 

Woods is a DC-area comedian who specialises in observational comedy in “a laid-back, meditative style, a mellow brand of cool,” according to the New York Times.

References
“He Helped Make Dave Chappelle Dave Chappelle”. The New York Times. 2019-10-30. Retrieved 2021-02-05.
“Tony Woods from HBO’s Def Comedy Jam, Comedy Central Presents & Funny or Die at Drafthouse Comedy in DC”. Drafthouse Comedy. 2018-04-13. Retrieved 2021-02-05.
“Interview with Comedian Tony Woods, FLOW Entertainment”. FLOW Entertainment Group, LLC. Retrieved 2021-02-05.
Tuccio-Koonz, Linda (2020-12-02). “Chappelle mentor Tony Woods at Bridgeport’s Stress Factory”. Connecticut Post. Retrieved 2021-02-05.
Fraley, Jason. “Tony Woods, DC comedy vet and Dave Chappelle mentor, cracks up Birchmere”. WTOP. Retrieved 5 February 2021.
Castleberry, Tony. “Comedian Tony Woods makes rare return to southeastern NC”. WECT. Retrieved 5 February 2021.

Tony Woods is a comedy writer and stand-up comedian known for being a mentor to Dave Chappelle and others. He was an original member of Russell Simmons’ Def Comedy Jam and P. Diddy’s Bad Boys of Comedy.

Kj Bless, Hair & Beauty Launch

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Henry Moore & Reclining Figure, The arrangement of these three nude females recalls the traditional composition of ‘The Three Graces

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Reclining Figure 1938 (LH 192) is a small sculpture by Henry Moore of an sinuous abstracted human figure. An enlarged version was made in 1984 for the Oversea-Chinese Banking Corporation, Singapore. The resulting Large Reclining Figure (LH 192b) is some 9 metres (30 ft) long, making it the largest sculpture made by Moore.

Photograph courtesy of Leeds Museums and Galleries

Reclining Figure

Date 1938 cast 1938-46 Artwork Catalogue NumberLH 192 cast a Media bronze Dimensions32.4 cmOwnershipLeeds City Art Galleries, bequest 1991 Collections

‘The Three Nymphs’, Aristide Maillol, 1930–8, cast 1937–8 | Tatehttps://www.tate.org.uk › art › artworks › maillol-the-th…
‘. However, Maillol insisted that they were three nymphs …

The Three Nymphs, Aristide Maillol | Miahttp://collections.artsmia.org › art › the-three-nymphs-a…
His Three Nymphs recall the Three Graces of Greek mythology … which also contrasted with the vigorous intensity and drama of Rodin’s or Degas’ sculptures.

V. Gordon Childe , cultural, historical, archaeologist

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Vere Gordon Childe (14 April 1892 – 19 October 1957) was an Australian archaeologist who specialized in the study of European prehistory. He spent most of his life in the United Kingdom, working as an academic for the University of Edinburgh and then the Institute of Archaeology, London. He wrote twenty-six books during his career. Initially an early proponent of culture-historical archaeology, he later became the first exponent of Marxist archaeology in the Western world.

Men cling passionately to old traditions and display intense reluctance to modify customary modes of behavior, as innovators at all times have found to their cost. The dead-weight of conservatism, largely a lazy and cowardly distaste for the strenuous and painful activity of real thinking, has undoubtedly retarded human progress.

Born in Sydney to a middle-class English migrant family, Childe studied classics at the University of Sydney before moving to England to study classical archaeology at the University of Oxford. There, he embraced the socialist movement and campaigned against the First World War, viewing it as a conflict waged by competing imperialists to the detriment of Europe’s working class. Returning to Australia in 1917, he was prevented from working in academia because of his socialist activism. Instead, he worked for the Labor Party as the private secretary of the politician John Storey.

v.gortdon-child-on-diffusionismDownload

Emigrating to London in 1921, he became librarian of the Royal Anthropological Institute and journeyed across Europe to pursue his research into the continent’s prehistory, publishing his findings in academic papers and books. In doing so, he introduced the continental European concept of an archaeological culture—the idea that a recurring assemblage of artefacts demarcates a distinct cultural group—to the British archaeological community.

From 1927 to 1946 he worked as the Abercromby Professor of Archaeology at the University of Edinburgh, and then from 1947 to 1957 as the director of the Institute of Archaeology, London. During this period he oversaw the excavation of archaeological sites in Scotland and Northern Ireland, focusing on the society of Neolithic Orkney by excavating the settlement of Skara Brae and the chambered tombs of Maeshowe and Quoyness. In these decades he published prolifically, producing excavation reports, journal articles, and books. With Stuart Piggott and Grahame Clark he co-founded The Prehistoric Society in 1934, becoming its first president. Remaining a committed socialist, he embraced Marxism, and—rejecting culture-historical approaches—used Marxist ideas such as historical materialism as an interpretative framework for archaeological data.

One of the best-known and most widely cited archaeologists of the twentieth century, Childe became known as the “great synthesizer” for his work integrating regional research with a broader picture of Near Eastern and European prehistory. He was also renowned for his emphasis on the role of revolutionary technological and economic developments in human society, such as the Neolithic Revolution and the Urban Revolution, reflecting the influence of Marxist ideas concerning societal development.

v-gordon-childe-and-the-urban-revolutionDownload
The bronze bust of Childe by Marjorie Maitland Howard has been kept in the library of the Institute of Archaeology since 1958. Childe thought it made him look like a Neanderthal.

LGN BOMBER – HELMETS

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Hats Helmets and Head Protection. Hats Helmets and Head Protection. 215 products. Our huge range of sporting hats, helmets and head protection ranges from riding helmets, to helmet covers at discounted prices so you can find exactly what you need at an affordable price. Skiing Horse Riding Cycling Cricket. 

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Antique BRASS  helmet made of brass and cotton mix. With polyester inner helmet. Dimensions: 18 x 26 x 17 cm. In good condition.  
  • PRODUCT INFOAntique brass helmet made of brass. With polyester inner helmet. Dimensions: 16 x 26 x 17 cm. In good condition.
  • RETURN & REFUND POLICYFor purchases made in-store, items can be returned within 14 days for a full refundto the original method of payment. An exchange or refund to a gift card will be offered for those purchase that are returned within 28 days from the purchase date. For online purchases. Return by post.
  • SHIPPING INFOPlease note an estimated shipping time for your order will be available to view on the checkout page before you confirm payment. Estimated delivery times are subject to the acceptance of your order and will be calculated from the date on which your order is placed, unless otherwise specified. Different terms and conditions may apply for different shipping destinations.If a shipping cost promotion is available the reduced shipping cost will be displayed at checkout.If you have a pre-ordered, personalised or monogrammed item, delivery times could take longer than stated in the table. Please refer to checkout for estimated delivery times.Please note all orders will require a signature on delivery.We are only able to deliver to the shipping address provided on your order. Changes are not permitted once your order has been shipped.UK ONLY In certain circumstances if the first delivery attempt to your specified address in the UK fails, you may be notified by UPS that your order is available to collect from your local UPS Access Point location. Please follow the instructions on the card provided by UPS and contact John@purejohn.com if you require further information. The availability of this service is not guaranteed and is subject to restrictions.
  • Please note an estimated shipping time for your order will be available to view on the checkout page before you confirm payment. Estimated delivery times are subject to the acceptance of your order and will be calculated from the date on which your order is placed, unless otherwise specified. Different terms and conditions may apply for different shipping destinations.If a shipping cost promotion is available the reduced shipping cost will be displayed at checkout.If you have a pre-ordered, personalised or monogrammed item, delivery times could take longer than stated in the table. Please refer to checkout for estimated delivery times.Please note all orders will require a signature on delivery.We are only able to deliver to the shipping address provided on your order. Changes are not permitted once your order has been shipped.
  • Shipping Info UK ONLYIn certain circumstances if the first delivery attempt to your specified address in the UK fails, you may be notified by UPS that your order is available to collect from your local UPS Access Point location. Please follow the instructions on the card provided by UPS and contact John@purejohn.com if you require further information. The availability of this service is not guaranteed and is subject to restrictions.

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Eva Hesse – This simplicity and complexity has evoked controversy among art historians.

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Eva Hesse (January 11, 1936 – May 29, 1970) was a German-born American sculptor known for her pioneering work in materials such as latex, fiberglass, and plastics. She is one of the artists who ushered in the postminimal art movement in the 1960s.

Hesse was born into a family of observant Jews in Hamburg, Germany, on January 11, 1936. When Hesse was two years old in December 1938, her parents, hoping to flee from Nazi Germany, sent Hesse and her older sister, Helen Hesse Charash, to the Netherlands to escape Nazi Germany. They were aboard one of the last Kindertransport trains.

Hesse’s early work (1960–65) consisted primarily of abstract drawings and paintings. She is better known for her sculptures and because of this, her drawings are often regarded as preliminary steps to her later work. However, she created most of her drawings as a separate body of work. She stated, “they were related because they were mine but they weren’t related in one completing the other.

Hesse’s work often shows minimal physical manipulation of a material while simultaneously completely transforming the meaning it conveys. This simplicity and complexity has evoked controversy among art historians. Debate has focussed on which pieces should be considered complete and finished works, and which are studies, sketches, or models for future works.