Mary Lou Williams (born Mary Elfrieda Scruggs; May 8, 1910 – May 28, 1981) was an American jazz pianist, arranger, and composer. She wrote hundreds of compositions and arrangements and recorded more than one hundred records (in 78, 45, and LP versions). Williams wrote and arranged for Duke Ellington and Benny Goodman, and she was friend, mentor, and teacher to Thelonious Monk, Charlie Parker, Miles Davis, Tadd Dameron, Bud Powell, and Dizzy Gillespie.
In 1922, at the age of 12, she went on the Orpheum Circuit of theaters. During the following year she played with Duke Ellington and his early small band, the Washingtonians. One morning at three o’clock, she was playing with McKinney’s Cotton Pickers at Harlem’s Rhythm Club. Louis Armstrong entered the room and paused to listen to her. Williams shyly told what happened: “Louis picked me up and kissed me.
In 1942, Williams left the Twelve Clouds of Joy, returning to Pittsburgh. She was joined there by her bandmate Harold “Shorty” Baker, with whom she formed a six-piece ensemble that included Art Blakey on drums. After getting engaged in Cleveland, Baker left to join Duke Ellington’s orchestra. Williams joined the band in New York City, and they traveled to Baltimore to be married. She traveled with Ellington and helped arrange several tunes for him, including “Trumpet No End” (1946), her version of “Blue Skies” by Irving Berlin.
Mary Lou Williams was an African American jazz pianist, composer, and arranger who wrote hundreds of compositions and arrangements and recorded over one hundred records. Williams was born as Mary Elfireda Scruggs on May 8, 1910 in Atlanta, Georgia, but grew up in Pittsburgh, Pennsylvania.
After her hiatus, her first piece was a Mass that she wrote and performed named Black Christ of the Andes (1963). Two short works, Anima Christi and Praise the Lord, were also released during this time. Williams made great efforts to perform his work in collaboration with the Youth Choir, including the “Mass of Mary Lou” held at St. Patrick’s Cathedral in New York City in April 1975. The jazz musician played at the church for the first time. She established a charitable organization and opened thrift stores in Harlem, directing the proceeds, along with ten percent of her own earnings, to musicians in need. As a 1964 Time article explained, “Mary Lou thinks of herself as a soul musician — a way of saying that she never strays far from melody and the blues, but deals sparingly in gospel harmony and rhythm. “I pray with my fingers when I play,” she says. I achieve a good “soul sound” by touching people’s souls.
In the 1980 novel A Confederacy of Dunces, Ignatius Reilly contemplates praying to Martin for aid in bringing social justice to the black workers at the New Orleans factory where he works. And in music, the first track of jazz pianist Mary Lou Williams’s album Black Christ of the Andes is titled “St. Martin De Porres”.
There are several Spanish and Mexican works regarding his life in cinema and television, starring Cuban actor Rene Muñoz, most of them referring to his mixed race, his miracles and his life of humility. The best known movies are Fray Escoba (Friar Broom) (1963) and Un mulato llamado Martin (A mulatto called Martin) (1975).
Peter the Great, was the monarch of the Russian Emperor, May 7 Russian Empire [O.S. April 27] 1682, until his death in 1725, his brother Ivan 5 before 1696. It reigned jointly with the world. Under his rule, Russia was modernized and grew into a European power. Born: June 9, 1672, Moscow, Russia Death: February 8, 1725, St. Petersburg, Russia Height: 2.03m
Major Accomplishments of Peter the Great
1 He initiated Russia’s westernization through his internal reforms.
2 He enhanced Russia’s economy by industrial growth.
3 Peter the Great implemented sweeping reforms in education.
4 He introduced the system of Table of Ranks to do away with hereditary nobility.
Peter the Great statue, Vladimir Putin’s gift to Londoners, damaged in attempted robbery Russian embassy may be asked to pick up bill to repair tribute to Russian president’s hero, gifted during 2003 visit
Was Pyotr the Great cruel? Early in his rule, there was an uprising by the guards, which was mercilessly subdued. Peter the Great himself led five of the thousands of guards executed for treason. When it comes to punishment, Peter didn’t have a favorite. Even his son and his heirs were imprisoned and tortured.
Why is Peter called Great? After Russia won the Northern War, it became the strongest nation in Europe and became known as the Russian Empire. In October 1721, Peter the Great was awarded the title of Peter the Great, the father of his homeland and the emperor of all Russia.
UK relations with Russia and its leader have deteriorated sharply in the years since Putin sailed down the Thames in 2003 to visit the statue, accompanied by the Duke of York,. The Kremlin has deleted a press release about the visit but it is still available on a web archive.
The Russian Leader was travelling from Westminster to Greenwich on the Royal Nore to see the new statue of Peter the Great at Deptford Creek and visit the Observatory.
Putin hails Peter the Great as a national hero for establishing Russia as a European power, and keeps a bronze statue of him in his cabinet room.
He was the youngest son of Edwin Wilkinsfield by his second wife, Leticia Kinder, and was born on December 1, 1837 in Windmill Hill, Hamstead. He was a direct descendant of Oliver Cromwell. After being educated at the University College School in London, he was taught painting at Chiaroscuro by John Rogers Herbert and the sculptor John Pai. He made art his profession, painting outdoor themes and landscapes, especially the landscape of the Thames countryside, often enlivened by well-painted figures. He also made some portraits. At first he worked chiefly in oil, but subsequently executed many drawings in watercolour. His landscapes and coast scenes show skilful technique.
A drinking fountain, now disused, was erected on Hampstead Heath to the memory of Walter Field
Between 1856 and 1901 he exhibited at the Old Water Colour Society (Royal Society of Painters in Water Colours), at the Royal Academy (where he showed fortytwo pictures), the British Institution (where he showed nine pictures), the Royal Society of British Artists, Dudley Gallery, and elsewhere. He was elected an associate of the Old Water Colour Society on 22 March 1880, but never attained full membership. He was also one of the earliest members of the Dudley Gallery, whose first exhibition was held in 1865.[1] Personal life A drinking fountain, now disused, was erected on Hampstead Heath to the memory of Walter Field[1] Field resided principally at Hampstead, and was untiring in his efforts for the preservation of the natural beauties of Hampstead Heath; he was the main founder of the Hampstead Heath Protection Society. By his wife, Mary Jane Cookson, whom he married on 14 May 1868, he had seven children.
They included Edwin Field, known as a rugby player. Field Starbucks 23rd AM. December 1901, at the Priors of East Heathrow.
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Ona oour latest project event we visted st josephs church.
St. Josephs Church is a harmonious mixing of the Romanesque and Byzantine styles, and became designed with the aid of using the architect Albert Vicars of Somerset Chambers, 151 Strand. It is a indexed building, defined with the aid of using English Heritage as outstanding. The church is 146 ft lengthy and greater than fifty five ft wide. The dome is expected to weigh, with its assisting brickwork, 2000 tons. The dome, of copper with a patina of green, is a hundred thirty ft above the extent of the go of St.Pauls, and may be visible from such various vantage factors as a educate returning to Kings Cross, Hampstead Heath and indeed, from a long way throughout London. While the dome can be the maximum acquainted function, the church itself might pay off a visit, with its Italian indoors and serene spaciousness. St. Josephs Church Highgate One of the important thing capabilities in the church is the baldachino, or canopy, over the excessive altar. The altar piece is crafted from Sicilian marble, and the cylindrical metal secure of the tabernacle is from the 1861 church. A evaluation of the information suggests that the surrounds and the dome of the tabernacle are an precise copy, in marble, of the authentic wood surrounds, observed now no longer handiest on the primary altar on this church, however even withinside the preceding church of 1861.
Dome
The mosaic pavement withinside the sanctuary is crafted from fabric taken from the mattress of the River Severn, and is reputed to be greater long lasting and greater luxurious than marble. Another function is the hand painted, segmental, vaulted ceiling painted with the aid of using Nathaniel Westlake in 1891.
It is stated with the aid of using a few artwork critics to be one of the best of Westlakes paintings. Each section of the ceiling has an angel wearing a scroll with a verse from the Te Deum, the church`s super hymn of thanksgiving.
Beginning over the organ gallery and finishing at the doorway to the sanctuary, the entire hymn is reproduced. There are 250 panels in all and the ceiling is fifty three ft excessive from ground to inner apex.
Pope Leo XIII (Italian: Leone XIII; born Vincenzo Gioacchino Raffaele Luigi Pecci;[a] 2 March 1810 – 20 July 1903) was the head of the Catholic Church from 20 February 1878 to his death in 1903. Living until the age of 93, he was the oldest pope (with the exception of Pope Benedict XVI as pope emeritus), and had the third-longest confirmed pontificate, behind those of Pius IX (his immediate predecessor) and John Paul II. Upload (74/500 Words) ENTo increase limit upto 1000 wordsGo Pro! Paraphrased Text Pope Leo XIII (Italian: Leo XIII, born Vincenzo Joaccino Rafaele Luigi Petch, [a] March 2, 1810-July 20, 1903-) was from February 20, 1878 to 1903. He was the head of the Catholic Church until his death in the year. Living to the age of 93, he was the oldest Pope (except Pope Benedict XVI as Pope Emeritus) and had the third longest confirmed Pope after Pius IX. (His predecessor) and John Paul II.
The church has a high-quality four-guide organ constructed with the aid of using the well-known organ builder, William Hill & Sons.
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(Spanish: Huari) were a Middle Horizon civilization that flourished in the south-central Andes and coastal area of modern-day Peru, from about 500 to 1000 AD.
Wari, as the former capital city was called, is located 11 km (6.8 mi) north-east of the modern city of Ayacucho, Peru. This city was the center of a civilization that covered much of the highlands and coast of modern Peru. The best-preserved remnants, beside the Wari Ruins, are the recently discovered Northern Wari ruins near the city of Chiclayo, and Cerro Baúl in Moquegua. Also well-known are the Wari ruins of Pikillaqta (“Flea Town”), a short distance south-east of Cuzco en route to Lake Titicaca.
However, there is still a debate whether the Wari dominated the Central Coast or the polities on the Central Coast were commercial states capable of interacting with the Wari people without being politically dominated by them.
Raymond Mauny studied law at the University of Poitiers and received his master’s degree in 1940, with a thesis titled The colonial dilemma in Franco-Italian relations since 1918. In 1937, he joined the AOF’s civil service administration because he was passionate about Africa.
In 1947, he joined the French Institute of Black Africa in Dakar, Senegal, where he worked alongside Professor Théodore Monod. Until 1962, he was in charge of the “Archeology and Prehistory” division. He took part in various archaeological missions in West Africa and the Sahara throughout the 1950s and 1960s .
Raymond Mauny was named professor of African history and holder of the chair of mediaeval African history at the Sorbonne in 1962. With Georges Balandier and Hubert Deschamps , he was one of the founding members of the Sorbonne’s African Research Center in 1963.
which have stood for the past 3,400 a long time within the Theban Necropolis, fair west of the city of Luxor in Egypt. They were built to stand protect at the entrance of Amenhotep’s dedication sanctuary, small of which remains nowadays. Its establishment was as well near to the Nile, and gradually dissolved absent over the centuries.
At 18 meters tall (60 feet) and weigh around 720 tons each, the Colossi are all that stay, but both have endured broad harm over the a long time. Whereas the southern statue still remains a single piece of stone, its northern partner is quite broken, the result of a gathered seismic tremor around 27 BC. But after part in half, the statue was presumed to “sing” on event – ordinarily inside an hour or two of dawn, most regularly right at first light, and most frequently in February and March.
Nearby legend had it that hearing the “Vocal Memnon” (because it had been nicknamed) would bring great good fortune, but moreover motivate a few kind of mysterious control or moment of prescience within the audience. In any case, the legend got to be known exterior of Egypt, and the colossi were gone by by a consistent stream of voyagers, not the slightest of which counting different Roman Sovereigns.
Reclining Figure 1938 (LH 192) is a small sculpture by Henry Moore of an sinuous abstracted human figure. An enlarged version was made in 1984 for the Oversea-Chinese Banking Corporation, Singapore. The resulting Large Reclining Figure (LH 192b) is some 9 metres (30 ft) long, making it the largest sculpture made by Moore.
Reclining Figure
Date 1938 cast 1938-46 Artwork Catalogue NumberLH 192 cast a Media bronze Dimensions32.4 cmOwnershipLeeds City Art Galleries, bequest 1991 Collections
‘The Three Nymphs’, Aristide Maillol, 1930–8, cast 1937–8 | Tatehttps://www.tate.org.uk › art › artworks › maillol-the-th… ‘. However, Maillol insisted that they were three nymphs …
The Three Nymphs, Aristide Maillol | Miahttp://collections.artsmia.org › art › the-three-nymphs-a… His Three Nymphs recall the Three Graces of Greek mythology … which also contrasted with the vigorous intensity and drama of Rodin’s or Degas’ sculptures.
The Arch could be a six-metre tall Roman travertine design situated on the north bank of the Long Water. It was displayed by the craftsman Henry Moore to the country for siting in Kensington Gardens in 1980 – two a long time after his eightieth-birthday show at the Serpentine Display, London.
The Arch is made from seven travertine stones weighing a add up to of 37 tons. The stones were sourced from a quarry in northern Italy. After being dismantled in 1996 due to auxiliary insecurity, The Curve has been as of late reestablished at its unique area in Kensington Gardens by The Regal Parks and The Henry Moore Establishment.
Rebuilding of The Arch In 1996, it got to be clear that The Curve had gotten to be fundamentally unsteady and it was carefully disassembled and put into store.
Discourses were continuous approximately the reclamation work required to restore it. From the beginning, The Illustrious Parks and The Henry Moore Establishment – a charity set up by Moore amid his lifetime – worked closely.
Thomas Charles Lethbridge (23 March 1901 – 30 September 1971), better known as T. C. Lethbridge, was an English archaeologist, parapsychologist, and explorer. A specialist in Anglo-Saxon archaeology, he served as honorary Keeper of Anglo-Saxon Antiquities at the Cambridge University Museum of Archaeology and Ethnology from 1923 to 1957, and over the course of his lifetime wrote twenty-four books on various subjects, becoming particularly well known for his advocacy of dowsing.
“Actually it is quite devastating to realise how few people ever think at all. They mostly take their ideas from what they are told on the wireless, television, or in the newspapers, from people who are prepared to take a reasonable fee. To suggest anything different makes you tread on many corns of vested interest. No professional pathfinder likes you for doing it.”
Born in Somerset to a wealthy family, Lethbridge was educated at Trinity College, Cambridge, during the course of which he attended an expedition to Jan Mayen island, becoming part of the first group to successfully climb the Beerenberg.
After a failed second expedition to the Arctic Circle, he became involved in archaeology. In his capacity as Keeper of Anglo-Saxon Antiquities at the Cambridge University Museum of Archaeology and Ethnology, Lethbridge carried out excavations at various sites around Britain.
His claims regarding the existence of Iron Age hill figures on Wandlebury Hill in Cambridgeshire caused significant controversy within the archaeological community, with most archaeologists believing that Lethbridge had erroneously misidentified a natural feature. Lethbridge’s methodology and theories were widely deemed unorthodox, and in turn he became increasingly critical of the archaeological profession.
Vere Gordon Childe (14 April 1892 – 19 October 1957) was an Australian archaeologist who specialized in the study of European prehistory. He spent most of his life in the United Kingdom, working as an academic for the University of Edinburgh and then the Institute of Archaeology, London. He wrote twenty-six books during his career. Initially an early proponent of culture-historical archaeology, he later became the first exponent of Marxist archaeology in the Western world.
Men cling passionately to old traditions and display intense reluctance to modify customary modes of behavior, as innovators at all times have found to their cost. The dead-weight of conservatism, largely a lazy and cowardly distaste for the strenuous and painful activity of real thinking, has undoubtedly retarded human progress.
Born in Sydney to a middle-class English migrant family, Childe studied classics at the University of Sydney before moving to England to study classical archaeology at the University of Oxford. There, he embraced the socialist movement and campaigned against the First World War, viewing it as a conflict waged by competing imperialists to the detriment of Europe’s working class. Returning to Australia in 1917, he was prevented from working in academia because of his socialist activism. Instead, he worked for the Labor Party as the private secretary of the politician John Storey.
Emigrating to London in 1921, he became librarian of the Royal Anthropological Institute and journeyed across Europe to pursue his research into the continent’s prehistory, publishing his findings in academic papers and books. In doing so, he introduced the continental European concept of an archaeological culture—the idea that a recurring assemblage of artefacts demarcates a distinct cultural group—to the British archaeological community.
From 1927 to 1946 he worked as the Abercromby Professor of Archaeology at the University of Edinburgh, and then from 1947 to 1957 as the director of the Institute of Archaeology, London. During this period he oversaw the excavation of archaeological sites in Scotland and Northern Ireland, focusing on the society of Neolithic Orkney by excavating the settlement of Skara Brae and the chambered tombs of Maeshowe and Quoyness. In these decades he published prolifically, producing excavation reports, journal articles, and books. With Stuart Piggott and Grahame Clark he co-founded The Prehistoric Society in 1934, becoming its first president. Remaining a committed socialist, he embraced Marxism, and—rejecting culture-historical approaches—used Marxist ideas such as historical materialism as an interpretative framework for archaeological data.
One of the best-known and most widely cited archaeologists of the twentieth century, Childe became known as the “great synthesizer” for his work integrating regional research with a broader picture of Near Eastern and European prehistory. He was also renowned for his emphasis on the role of revolutionary technological and economic developments in human society, such as the Neolithic Revolution and the Urban Revolution, reflecting the influence of Marxist ideas concerning societal development.
The bronze bust of Childe by Marjorie Maitland Howard has been kept in the library of the Institute of Archaeology since 1958. Childe thought it made him look like a Neanderthal.
William Stukeley FRS FSA (7 November 1687 – 3 March 1765) was an English antiquarian, physician and Anglican clergyman. A significant influence on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. He published over twenty books on archaeology and other subjects during his lifetime.
He told me, he was just in the same situation [i.e. in a garden], as when formerly, the notion of gravitation came into his mind. It was occasion’d by the fall of an apple, as he sat in a contemplative mood. Why should that apple always descend perpendicularly to the ground, thought he to him self. Why should it not go sideways or upwards, but constantly to the earths centre? Assuredly, the reason is, that the earth draws it. There must be a drawing power in matter.
Stonehenge: A Temple Restor’d to the British Druids, Preface. (1740).
Our predecessors, the Druids of Britain, tho’ left in the extremest west to the improvement of their own thoughts, yet advanc’d their inquiries, under all disadvantages, to such heights, as should make our moderns asham’d, to wink in the sunshine of learning and religion.
In 1721 he became a Freemason and in 1722 co-founded the Society of Roman Knights, an organisation devoted to the study of Roman Britain. In the early 1720s, Stukeley developed a particular interest in Stonehenge and Avebury, two prehistoric stone circles in Wiltshire. He visited them repeatedly, undertaking fieldwork to determine their dimensions.
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